There are songs that sound like a place, and then there’s Neil Potter’s "Música El Idioma Del Amor," which sounds like a specific time of day in a specific place you’ve never been. It’s a curious creation, a sonic postcard from a parallel-universe Seville where the flamenco guitarist and the local rock progressive have decided to build something new on a foundation of pure...

Some songs are protests. Others are warnings. But a rare few are something else entirely: they are stories that transport you to another place, another time, another possible future. Ted Stanley’s “Shoreline” is one of those songs. It’s a piece of music that feels less like a song and more like a modern myth, a folktale carried softly across a rising tide. It’s a story...