Listening to Chelsea Rebecca’s new single, “Little Girl”, is like finding a devastatingly honest diary entry tucked inside a brightly-coloured travel guide for a city you’ll never visit. It begins with the expected folk-pop intimacy: Rebecca’s silky voice sketching a scene so close it feels confidential. But the intimacy is a feint. This isn’t a quaint room for quiet reflection; it's a cage with...

Listening to Harry Kappen's "Be Brave If You Can" is like finding a note someone left for themselves on a foggy bathroom mirror. As the third single from his album “Four”, it’s a quiet turn inward, a personal reminder scrawled in the steam of a hot shower after a long, wearying day. It doesn't shout for revolution in the streets; it suggests one inside...