Sam Ostler’s new single, “Lights,” then. It unfolds less like a sudden, intrusive glare and more like the slow, determined burn of a really good stage light finally finding its mark after a prolonged blackout. It’s pop, yes, vibrant and undeniably contemporary as advertised – clean lines, clear intentions. Yet, there’s a certain satisfying heft beneath the melodic uplift, a feeling that these notes...

Kent Owens, a name that sounds like it should be on a library card next to “Hemingway,” but instead it's on the digital shelf next to my slightly messy playlist. This Cambridge-based creator of soundscapes – I’m resisting calling them songs, but…well – just released “Fade Away,” a single that feels like an open window after a long winter. It’s a soft rock hum...