Farbod Biglari’s new single, "Waltz for Baran (The Rain Waltz)," arrived like a polite invitation to a forgotten ballroom, where the chandeliers are lit but the guests are all pleasingly melancholic figments of memory. It doesn't swagger; it glides, a full orchestral sway that clearly tips its hat to the spirit of composers like Stelvio Cipriani, not by mimicry, but by sharing a certain...

Post Death Soundtrack’s latest offering, “In All My Nightmares I Am Alone,” arrived not so much as a collection of songs, but as a psychic weather event. Listening to Stephen Moore’s solo excursion is like being invited to a wake where the dearly departed is, perhaps, oneself, or maybe just the idea of a stable Tuesday afternoon. It’s a dense, prickly thing, this record....