Listening to Paul Louis Villani's new EP, The Other Side of Silence, feels less like pressing play and more like cracking open a locked diary found in a derelict building. It’s a messy, confrontational, and deeply private affair, where industrial-strength riffs grind against lyrics that feel surgically exposed. Villani doesn't write anthems for crowds; he seems to be recording the dissonant hum of his...

Kent Owens, a name that sounds like it should be on a library card next to “Hemingway,” but instead it's on the digital shelf next to my slightly messy playlist. This Cambridge-based creator of soundscapes – I’m resisting calling them songs, but…well – just released “Fade Away,” a single that feels like an open window after a long winter. It’s a soft rock hum...