Sound Liberation’s “Elegy” isn’t so much an album as it is an unbolting of several sonic cages, letting the inhabitants mingle, argue, and eventually, find a strange, compelling harmony. Gene Pritsker and his rotating ensemble are, as ever, on a crusade against the "segregation of sound vibration," and here, their weapon of choice is grief, remembrance, and an absolutely defiant refusal to sit still...

Audra Watt’s new single, “Livin’ It Up,” arrived sounding like a car stereo blasting down a highway you’ve never driven before, fueled by a full tank and a spectacular disregard for the GPS. This isn’t a polite suggestion to change your life; it's a three-minute rock-and-roll sermon on the glory of ripping up the map entirely, delivered with a voice that balances Nashville honesty...