Crozier's new single, "The Dream," has arrived, and it’s rather like finding a surprisingly vibrant, yet faintly melancholy, postcard tucked inside an old, dog-eared travel guide for a country that might not even exist anymore. There’s an undeniable jauntiness to its classic rock bones – you can hear the phantom limb of a Wilbury shuffle in its gait, perhaps a smidge of early Kinks-ian...

Seishin Takeno's "Echoes," a sonic postcard from Kanagawa. Nine instrumental pieces, I've been told. Not nine songs, mind you – more like nine shaded windows into a particular kind of quiet. This isn't music that yells; it leans in, like a friend confiding a secret you half-hear on a summer porch. Immediately, you're not so much listening as remembering. Or maybe anticipating. It feels...