Sam Ostler’s new single, “Lights,” then. It unfolds less like a sudden, intrusive glare and more like the slow, determined burn of a really good stage light finally finding its mark after a prolonged blackout. It’s pop, yes, vibrant and undeniably contemporary as advertised – clean lines, clear intentions. Yet, there’s a certain satisfying heft beneath the melodic uplift, a feeling that these notes...

Take Jack Horton, a Portland-based singer-songwriter whose path to folk-Americana included stops at Japanese law school, Tokyo piano bars, corporate boardrooms, and government offices. His latest EP, "Imperfections," feels like finding someone's private journal set to music. And that someone happens to write really, really well. The five-song collection opens with "Set Me Free," a piano-driven confession that might surprise anyone expecting typical breakup bitterness. Horton...