There is a specific kind of melodic stride in Lana Crow’s new release, “Orwellian Times,” that reminds me, quite vividly, of the way people walk when they’re late for a meeting they know is going to be an absolute disaster. It is brisk, purposeful, and rhythmically catchy, yet underpinned by a distinct, vibrating anxiety. This British singer-songwriter has crafted a track that feels less...

Maraad’s new album, “BUFF”, is a strange and beautiful paradox, an object forged in the very fire it’s meant to protect you from. Each track is presented as a "buff," a bit of protective magic for the spirit, but the energy humming underneath feels less like a polished shield and more like the faint, determined glow around a figure in a centuries-old altarpiece—somehow both...