Larry Karpenko‘s Latest Single “Heart Calls Love” Balances Madonna-inspired Energy with Fauré-influenced Sophistication.

The upbeat love song “Heart Calls Love” is relevant for both young and old, from the casual meeting to the deep thought.

This carefully made single does something that not many modern pop songs try to do: it makes you feel something without making the song too hard to listen to.

Even though it has modern music, sounds, and tunes, it has classic roots and aims to make people feel things. Basic human feelings are key to the hook.

“Heart Calls Love” has an emotional arc that makes the listener want to learn more about themselves as they try to understand love better.

Imagine sewing Gabriel Faure‘s Romantic-era grace to Madonna‘s Holiday beat and then letting the seams break into something defiantly modern.

The beat of the song is syncopated synth chords and stacked voices that sound like the heroine of a silent movie gasping for air. Pop music with the patience of a historian that does not rush the pain of waiting for love.

If you hear Larry’s daughter perfecting the outro’s wordless vocal hook, it makes the song seem more real, like it is learning to feel in real time.

Kreation Records is a place in Southern California where sound experimenters can go, which fits with the album’s themes. Three rough voice takes mixed into one “perfectly flawed” lead track reflect the tension in the lyrics between being alone and being connected.

The repeated lyrics “waiting for you, looking for you” create a story tension that pulls viewers through the piece, and the phrase “Heart Calls Love” serves as both an anchor and a reveal.

The surprising middle part of this production, where Larry adds Gabriel Fauré’s “Romance Without Words, Op.17, No. 3,” sets it apart from other radio songs.

This use of classical music is not just for decoration; it is an emotional centrepiece—a moment of deep reflection in a piece that is mostly moving forward.

The Augmented Mallets and Arkhis Swelling Mandolin Textures play Fauré’s music in a way that is polite and new, making what Larry calls “a dreamy dance encounter.”

When it comes to production, the track shows a lot of technical skill. Larry paid extra attention to the textures of the sounds he used, like XLN Audio’s Life for regular vocalisations and the Jacob Collier Audience Choir for impact claps.

The main idea of “Heart Calls Love” is to look at the general but very personal feeling of love hunger. The words do not use overused phrases to talk about desire, patience, and expectation.

A vague link to the Tin Man in The Wizard of Oz looking for heart gives the idea more weight, implying that community and connection are the answers to this search.

What is most interesting about “Heart Calls Love” is how useful it is in so many situations. It works just as well as “an exercising work-out” music or “as a theme to a rom-com or heart-throb series,” as Larry says.

This flexibility shows how emotionally powerful the piece is—it gets something real about human relationship that works in all situations.

“Heart Calls Love” strikes a good mix for people who want music that is both enjoyable right away and useful in the long run. The catchy tunes and lively production make it fun to listen to on the surface, but the complex structure and honest emotions make it worth digging deeper into.

By closing this gap, Larry has made something that is becoming more and more rare: pop music with real artistic depth.