Christian

“Merfolk Space Program”: Axiom ThaWyze & Andy O’s Cosmic Grit.

Axiom ThaWyze and Andy O's "Merfolk Space Program" arrived with a title that stopped my brain for a solid ten seconds. A Merfolk… Space Program. It’s an idea that smells of brine and ozone, of impossible ambition born in the crushing deep. It's a perfect, almost comically absurd flag to plant in the soil of Boise, Idaho, and it perfectly captures the spirit of...
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“Black It Out”: Kevin Driscoll’s Haunting Ache.

Kevin Driscoll’s debut single, “Black It Out,” doesn’t so much introduce a new artist as it kicks open the door to a room mid-deconstruction....

Shattered and Soaring: ‘The Imperfectionist’ by Nothing Concrete.

Nothing Concrete’s new album, “The Imperfectionist”, is less a collection of songs and more a vessel that’s been around the world a few times,...

gnomes’ “Microclimbs”: Finding Safety in Paradox.

Listening to gnomes’ new EP, “Microclimbs,” feels less like hearing songs and more like stumbling upon a meticulously catalogued collection of internal weather systems....

The Curious Weight of Adriana Spuria’s “Stone.”

Adriana Spuria’s new single, “Stone,” presents itself with the polished feel of a perfect skipping-stone, but listening closely reveals it has the curious weight...

Electrified Love: 2 Divide’s “Don’t Stop the Love” Reworked Grabs Hold.

With 2 Divide’s new single, “Don’t Stop the Love” Reworked, one doesn’t simply listen; one is dropped into a running conversation between panic and...

ORWAX Unveils “Everything’s Addictive”: A Grim Diagnosis

The single from Syracuse’s ORWAX, “Everything's Addictive,” doesn’t so much ask a question as it does state a grim, unblinking diagnosis for the modern...

Digital Disorientation: Asta Bria’s “Dragonfly” Soars.

The first encounter with Asta Bria’s new single, “Dragonfly,” is a calculated disorientation. For an artist who once cozied up to funk’s leisurely sway,...

The Uncluttered Beauty of Lucas Pasley’s “Laissez-Faire Love.”

Listening to Lucas Pasley’s new single, “Laissez-Faire Love,” is less like pressing play and more like easing into a worn-in armchair that has held...

The Cold Room: Brendan Pegg’s “I Can Tell.”

With his new single, “I Can Tell,” Brendan Pegg documents not the loud crash of a relationship’s end, but the awful, held-breath silence just...

“Ruined”: Caitty Navigates the Treacherous Heart.

Listening to Caitty’s new single, "Ruined," is a bit like discovering a breathtakingly beautiful, venomous flower growing in the cracks of a city pavement....

Love’s Eternal Echo: Dive into Lost Lot’s “Waiting”

Lost Lot’s new single, “Waiting,” does a funny thing to the air in the room. It settles it. For three-and-a-half minutes, everything seems to...

The Potent Magic of Helena May’s ‘Side Effects’.

Helena May’s new single, “Side Effects,” doesn’t just enter a room; it strides in with the kind of confident, hip-swinging swagger that makes you...