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The Mechanical Heart of SLAPPER’s “Into the Light”

Listening to SLAPPER and the new instrumental single "Into the Light" feels like catching a glimpse of a future we were promised decades ago but only just found the keys to. Claudiu-Gabriel Tache has been refining this specific electronic pulse since the late '90s in Bucharest, and there’s a seasoned patience in how this music breathes. It doesn't rush to impress; it unfolds. https://open.spotify.com/track/7ez2cOd45CF1Pu0rhS9lNn?si=b920e0c2636f415d The track...
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The Emotional Arc of Dylan Forshner’s “Hopeless Optimism.”

Dylan Forshner's new EP, “Hopeless Optimism,” presents itself not so much as a collection of songs but as a series of candid diary entries...
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Step into the Current: Roger Knox’s “Buluunarbi & The Old North Star.”

Roger Knox’s “Buluunarbi & The Old North Star” has settled in, and it’s like unearthing a geode – outwardly unassuming country bedrock, but crack...
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Is This Us? Rubanq’s “Worldwide Dead” Forces a Hard Look.

Rubanq’s “Worldwide Dead” slides into your listening not with a bang, but with the gritty inevitability of a slowly tightening knot. Joel Patric, the...
Music

The Unforgettable Truth: My Glass World’s “Stranded Assets” Barges In.

My Glass World and their new album, “Stranded Assets,” have barged into my ear-space, rather like that one uncle at a wedding who insists...
Music

Geo Chandler’s “Spent”: Wired, Weary, and Wonderful.

Geo Chandler's new single, “Spent,” arrived like an unexpected late-night espresso – jarring, yes, but with a curiously welcome clarity. It sets out to...
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Fearless & Fragile: Lisa Goldin’s “How Love Can Start”

Lisa Goldin’s new single, "How Love Can Start," has a way of sneaking up on you, much like the scenario it so tenderly sketches:...
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Rhythm Pals’ ‘Lookin’ Good’: Pop-Funk Joy for All Ages.

Rhythm Pals’ new single, ‘Lookin’ Good,’ shimmied into my listening rotation, and honestly, it’s got the kind of bounce that could coax a smile...
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Sam Lewis Steps Into Twilight with “Juan Garcia”.

Sam Lewis’s "Juan Garcia" isn’t a song that arrives with a fanfare; it feels more like a figure glimpsed in the twilight, carrying an...
Music

Moonlit Electronics: Wolfgang Webb Searches for “The Lost Boy”

Wolfgang Webb's "The Lost Boy" arrived not so much as a collection of tracks, but as a sonic correspondence from a place where streetlights...
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The Hypnotic Pull of Patrick Hynes’ “Baby’s High Again”

Patrick Hynes’ new single, "Baby’s High Again," doesn't so much arrive as materialize, like a half-remembered scent of bourbon and regret clinging to a...
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The Irresistible Pull of Silja Rós’ “Letters from my past”

Silja Rós sends us “Letters from my past,” and it’s as if one has been handed a velvet pouch of smoothed sea glass, each...
Music

“Break It”: Jessie Bird Delivers Raw Camrose Honesty

Jessie Bird's new single, "Break It," feels less like a song strategically dropped and more like a personal diary accidentally left open on a...
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