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The Neon-Soaked Sorrow of Violet Whimsey’s “PERSEPHONE”

Listening to Violet Whimsey’s new EP, “PERSEPHONE,” is a bit like finding an antique music box that only plays minor chords. You wind it...

Finding the Light on the Hill in Michellar’s “Truth Over Lies”.

Listening to the opening of Michellar’s "Truth Over Lies" is like being dropped mid-sentence into a conversation you desperately need to hear. This track,...

Inside the Mystical Space of TaniA Kyllikki’s “I PROMISE”

Listening to TaniA Kyllikki’s new single, “I PROMISE (I'll Wait For You)”, is like stumbling upon a vow carved into the stone of a...

The Festive Defiance of John Smyths’ “Now I’m Wiser”.

The moment the jaunty guitar kicks in on John Smyths’ new single, "Now I'm Wiser", you feel a familiar, comfortable warmth. It’s the sound...

Inochka Captures a Sunbeam of Loss in “Intertwined”

Inochka’s new single, "Intertwined," is the auditory equivalent of noticing the dust motes dancing in a single ray of late-afternoon sun, realizing an entire...

“Evil Person”: KAYTIE’s Chilling Document of Deceit

KAYTIE’s new single "Evil Person" arrives with the pristine, deliberate clarity of a single ice cube cracking in a silent room. For a piano-driven...