Sophia Mengrosso’s new album, “Unforgiven”, doesn’t so much start as it does detonate, a thirteen-song treatise on survival. Her voice, a thing clearly trained for gilded halls and velvet curtains, instead wails from within a foundry’s clang and fire. The result is a bizarre and beautiful collision, the sonic equivalent of discovering a lost Caravaggio painting lit by a flickering fluorescent tube in a...

RSAI’s new single, “Let The Good Times Roll,” has waltzed into my listening rotation, and honestly, it feels a bit like finding an unexpected party already in full swing in your own living room. This Moscow-based musician seems intent on manufacturing pure, unadulterated joy, the kind that fizzes up from your toes and demands a bit of a shimmy, whether you’re ready for it...