Balwako’s new single, "Bitch Please," doesn’t so much arrive as detonate – a burst of queer dark-pop that rattles the windows of expectation. This Amsterdam artist, trailing a "Slavic boy-core aesthetic" and a flair for the theatrical, isn't just making electro-pop; he's staging a minor opera in under three minutes, all bass-heavy beats and a synth line that feels like a velvet curtain dramatically...

Dan Wilkie’s sixteen-song album, "MelodyBox," arrives not with a neat bow but feeling more like an overstuffed cabinet of curiosities flung open by its Shefford-based creator. Wilkie, working solo as a multi-instrumentalist and producer, wrangles virtual instruments and real vulnerability into something uniquely his own, steeped in the melodic hooks of 60s/70s pop but often taking sharp turns down less-travelled, sometimes shadowed paths. https://open.spotify.com/album/0EX2aW7d7JSQ2xonrFDGvZ?si=XRwACPuoRW2vG_PAITRfyg The album...