Listening to Sons of Martha's new single, "Samurai Smile," feels a bit like finding a beautiful, slightly unnerving porcelain doll tucked away in a toolbox – all sharp edges and unexpected fragility. This North London outfit promised a harder sound, and they deliver; guitars chew and churn with a satisfying grit reminiscent of early '90s Manchester swagger, but filtered through a distinctly modern unease....

Listening to Shani Weiss's new single, "What's Left," feels a bit like stumbling upon someone’s deeply personal, slightly crumpled packing list before a monumental journey. Weiss, a Melbourne-based folk-rock songwriter and host of Indie Spotlight Melbourne, bottles a very specific kind of pressure here – the internal kind that feels less like a weight and more like a rising tide inside your own chest. https://open.spotify.com/album/56VjWTwzCr3bafDHSlUpN4?si=SWijn37SREeVVhxTs26DsQ There's...