Crozier's new single, "The Dream," has arrived, and it’s rather like finding a surprisingly vibrant, yet faintly melancholy, postcard tucked inside an old, dog-eared travel guide for a country that might not even exist anymore. There’s an undeniable jauntiness to its classic rock bones – you can hear the phantom limb of a Wilbury shuffle in its gait, perhaps a smidge of early Kinks-ian...

Balwako’s new single, "Bitch Please," doesn’t so much arrive as detonate – a burst of queer dark-pop that rattles the windows of expectation. This Amsterdam artist, trailing a "Slavic boy-core aesthetic" and a flair for the theatrical, isn't just making electro-pop; he's staging a minor opera in under three minutes, all bass-heavy beats and a synth line that feels like a velvet curtain dramatically...