Helena May’s new single, “Side Effects,” doesn’t just enter a room; it strides in with the kind of confident, hip-swinging swagger that makes you instinctively check your own posture. This is Brit-Funk with a capital F, built on a groove that feels less like a rhythm and more like a wry, talkative companion. It’s got that specific, indefinable warmth of an old analogue recording,...

There is a specific kind of cold that burns, like dry ice pressed against a fingertip, and that paradoxical sensation pervaded my entire weekend spent listening to the latest output from CMD.EXE, their debut full-length album "love.language.model". This collaboration between human musicians and machine intelligence hits with the weight of a pressurized cabin decompressing. It sits in that bruised, purple twilight between Electronic Rock...