French-Tunisian multidisciplinary artist Haifa Melliti channels raw intuition into breathtaking piano architecture on her stunning neoclassical album, "Mélodie de la Déesse". I find her approach fascinating. In an era where so many ambient instrumental records lean heavily into cautious, sparse minimalism, Melliti offers a deluge. Her music serves as a spiritual sanctuary honoring the sacred feminine, yet she completely refuses to equate tranquility with...

Nothing Concrete’s new album, “The Imperfectionist”, is less a collection of songs and more a vessel that’s been around the world a few times, collecting scuffs and stories. It’s a beautifully unsteady thing, this record from the duo of Fergus McKay and Gaia Miato. They’ve crafted a dusty, globetrotting shuffle where bluesy resignation and the dramatic posture of tango are held together by the...