Some songs are protests. Others are warnings. But a rare few are something else entirely: they are stories that transport you to another place, another time, another possible future. Ted Stanley’s “Shoreline” is one of those songs. It’s a piece of music that feels less like a song and more like a modern myth, a folktale carried softly across a rising tide. It’s a story...

Farbod Biglari’s new single, "Waltz for Baran (The Rain Waltz)," arrived like a polite invitation to a forgotten ballroom, where the chandeliers are lit but the guests are all pleasingly melancholic figments of memory. It doesn't swagger; it glides, a full orchestral sway that clearly tips its hat to the spirit of composers like Stelvio Cipriani, not by mimicry, but by sharing a certain...