The Alessandro Savino Project serves up a new single, “SORRY,” and it arrives feeling less like a song and more like a strange, beautiful confession made under the low-wattage glow of a bar sign after everyone else has gone home. The word itself is so insufficient, isn't it? A pebble of a word meant to fill a canyon. But this track isn't the pebble;...

Kevin Driscoll’s debut single, “Black It Out,” doesn’t so much introduce a new artist as it kicks open the door to a room mid-deconstruction. You’re immediately in the thick of it, dust in the air, surrounded by the emotional wreckage of something that was clearly, once, a home. https://open.spotify.com/track/02int8lfeW6gHlW85zb9Le?si=VphHuhmKSE68wTx4ebJ9ew That promised “catchy rhythmic guitar” has a beautifully troubled energy. It’s not a hook that invites you...