She Becomes’ new single, “Necromancer”, has left me thinking less about music and more about the strange inscriptions one finds on very old gravestones. It’s a track that hangs in the air like November fog, built on guitars that feel like they’ve been dragged through damp, loamy soil and a bassline that has the coiled-up energy of a minor character in a Brontë novel,...

What does it mean for music to be “live” anymore? In an era of backing tracks, digital corrections, and performances polished to a frictionless gleam, the term has lost some of its meaning. It often signifies little more than the physical presence of a performer on a stage. But then, an album like Udeigwe’s "Live in Williamsburg" appears, and it serves as a powerful reminder...