Kevin Driscoll’s debut single, “Black It Out,” doesn’t so much introduce a new artist as it kicks open the door to a room mid-deconstruction. You’re immediately in the thick of it, dust in the air, surrounded by the emotional wreckage of something that was clearly, once, a home. https://open.spotify.com/track/02int8lfeW6gHlW85zb9Le?si=VphHuhmKSE68wTx4ebJ9ew That promised “catchy rhythmic guitar” has a beautifully troubled energy. It’s not a hook that invites you...

Fiona Amaka’s new single, “Cowards and Shadows,” doesn’t kick down the door; it slips the lock and vanishes into the night, leaving the chain on. There’s a particular London cool to this departure, a swagger in its disappearing act. The track's lauded Bowie-esque posture is immediately apparent, thanks in no small part to Andy Zanini's sharp, stalking guitar work. It’s less a gentle fade...