Kevin Driscoll’s debut single, “Black It Out,” doesn’t so much introduce a new artist as it kicks open the door to a room mid-deconstruction. You’re immediately in the thick of it, dust in the air, surrounded by the emotional wreckage of something that was clearly, once, a home. https://open.spotify.com/track/02int8lfeW6gHlW85zb9Le?si=VphHuhmKSE68wTx4ebJ9ew That promised “catchy rhythmic guitar” has a beautifully troubled energy. It’s not a hook that invites you...

Near Death Experience's single, "Shake," arrived not so much as music, but as a sudden, urgent insistence. It’s London psych-rock-soul alright, but brewed with something fiercely immediate, demanding attention like a ringing telephone in an empty room. The core quartet – Ian Whiteling guiding the trip with vocals and guitar fuzz, Joshua Van Ness laying down a heartbeat that feels both frantic and locked-in,...