Patrick Hynes’ new single, "Baby’s High Again," doesn't so much arrive as materialize, like a half-remembered scent of bourbon and regret clinging to a velvet curtain. This “Midnight Country” he’s cultivating, it’s less dusty plains, more the blue, flickering light of a motel television at 3 AM, illuminating a room where decisions have been made, then unmade, then made again. Hynes, a Scot with...

A broken teacup, stained with Earl Grey, hums with the same quiet ache as "Jeg Glemmer Dig Aldrig." Tomas Raae and the ethereal voice of Eline Hellerud Åsbakk craft something fragile, like frost on a window pane – beautiful and inherently ephemeral. It’s a love song, maybe, or a lament. It’s hard to pin down the heart of it exactly, which, I suppose, is...