Listening to Chelsea Rebecca’s new single, “Little Girl”, is like finding a devastatingly honest diary entry tucked inside a brightly-coloured travel guide for a city you’ll never visit. It begins with the expected folk-pop intimacy: Rebecca’s silky voice sketching a scene so close it feels confidential. But the intimacy is a feint. This isn’t a quaint room for quiet reflection; it's a cage with...

Janet Devlin releases "Candy", and she sounds like she’s wearing a smirk that could stop traffic. This track doesn't tiptoe; it struts. From the jump, we are met with a rhythmic, plucking string vibration a gritty, staccato backbone that acts like the nervous system of the song. It’s propelled by a heavy, stomping beat that feels authoritative, the kind of pulse that makes you...