With “I’m Still Standing,” Frankie Muriel isn't just releasing nine songs; he’s excavating a life lived in the key of rock and roll. The glam-metal swagger of KINGOFTHEHILL and the dance-floor pulse of Dr. Zhivegas are here, but only as ghosts in the machine—ancestral echoes beneath a sound that is grittier, warmer, and stained with the wisdom of survival. This is the sound of...

Balwako’s new single, "Bitch Please," doesn’t so much arrive as detonate – a burst of queer dark-pop that rattles the windows of expectation. This Amsterdam artist, trailing a "Slavic boy-core aesthetic" and a flair for the theatrical, isn't just making electro-pop; he's staging a minor opera in under three minutes, all bass-heavy beats and a synth line that feels like a velvet curtain dramatically...