The first listen of Haus of Sound’s new single, “Mirage,” is like walking into a room where a beautifully ornate vase has just been shattered against a wall. There's a jagged, crystalline energy here, a collision of theatrical drama and raw, modern discontent. Evolving from their 2000s tribute roots, the Everett band has synthesized the best of that era’s angst—the coiled tension of early...

Sophia Mengrosso’s new album, “Unforgiven”, doesn’t so much start as it does detonate, a thirteen-song treatise on survival. Her voice, a thing clearly trained for gilded halls and velvet curtains, instead wails from within a foundry’s clang and fire. The result is a bizarre and beautiful collision, the sonic equivalent of discovering a lost Caravaggio painting lit by a flickering fluorescent tube in a...