The Italian drill riser Kouman turns two quiet years into a punchy, slang-heavy return built for late-night replays and hungry playlists. 'Underdogs' hits like somebody walking back into the room after everyone assumed he had left the building. Kouman does not waste the moment with a soft reset. The Bologna-born artist, now shaped by years in London, makes his return feel charged, impatient, and slightly dangerous...

Farbod Biglari’s new single, "Waltz for Baran (The Rain Waltz)," arrived like a polite invitation to a forgotten ballroom, where the chandeliers are lit but the guests are all pleasingly melancholic figments of memory. It doesn't swagger; it glides, a full orchestral sway that clearly tips its hat to the spirit of composers like Stelvio Cipriani, not by mimicry, but by sharing a certain...