She Becomes’ new single, “Necromancer”, has left me thinking less about music and more about the strange inscriptions one finds on very old gravestones. It’s a track that hangs in the air like November fog, built on guitars that feel like they’ve been dragged through damp, loamy soil and a bassline that has the coiled-up energy of a minor character in a Brontë novel,...

Sam Ostler’s new single, “Lights,” then. It unfolds less like a sudden, intrusive glare and more like the slow, determined burn of a really good stage light finally finding its mark after a prolonged blackout. It’s pop, yes, vibrant and undeniably contemporary as advertised – clean lines, clear intentions. Yet, there’s a certain satisfying heft beneath the melodic uplift, a feeling that these notes...