WAIN’s debut EP, "Still Colorful", arrives not as a singular declaration but as a meticulously curated gallery of the self, with one man acting as architect, painter, and lighting technician all at once. It’s an unusual feeling, listening to it. You get the sense that you’re touring a house designed and built by a single, obsessive artisan, but where every room is inhabited by...

Kevin Driscoll’s debut single, “Black It Out,” doesn’t so much introduce a new artist as it kicks open the door to a room mid-deconstruction. You’re immediately in the thick of it, dust in the air, surrounded by the emotional wreckage of something that was clearly, once, a home. https://open.spotify.com/track/02int8lfeW6gHlW85zb9Le?si=VphHuhmKSE68wTx4ebJ9ew That promised “catchy rhythmic guitar” has a beautifully troubled energy. It’s not a hook that invites you...