Kevin Driscoll’s debut single, “Black It Out,” doesn’t so much introduce a new artist as it kicks open the door to a room mid-deconstruction. You’re immediately in the thick of it, dust in the air, surrounded by the emotional wreckage of something that was clearly, once, a home. https://open.spotify.com/track/02int8lfeW6gHlW85zb9Le?si=VphHuhmKSE68wTx4ebJ9ew That promised “catchy rhythmic guitar” has a beautifully troubled energy. It’s not a hook that invites you...

Peter Xifaras’s new album, “Adagio Grooves”, treats musical history less like a timeline and more like a room where everyone is invited to the same party. Initially, The Budapest Symphony lays out the fine china and polishes the silver, establishing a world of symphonic grace. It’s a sound full of discipline and grand, beautiful spaces—the kind of music that makes you feel you should...