Listening to Shelita’s new single, “Fade,” is a strange and strangely comforting exercise in suspension. The track is built on a foundation you could almost set your watch to—a steady, pulsing beat that feels less like a drum machine and more like a medical monitor keeping track of something vital. Over this steady pulse, airy synths drift and gather like weather fronts, creating a...

Sophia Mengrosso’s new album, “Unforgiven”, doesn’t so much start as it does detonate, a thirteen-song treatise on survival. Her voice, a thing clearly trained for gilded halls and velvet curtains, instead wails from within a foundry’s clang and fire. The result is a bizarre and beautiful collision, the sonic equivalent of discovering a lost Caravaggio painting lit by a flickering fluorescent tube in a...