There is a specific kind of melodic stride in Lana Crow’s new release, “Orwellian Times,” that reminds me, quite vividly, of the way people walk when they’re late for a meeting they know is going to be an absolute disaster. It is brisk, purposeful, and rhythmically catchy, yet underpinned by a distinct, vibrating anxiety. This British singer-songwriter has crafted a track that feels less...

Some songs are built to be lived in. They are not merely heard; they are structures, meticulously assembled spaces that offer a particular perspective. Paul Gehl’s single, “Devils and Demons,” is one such creation. It is a work of sonic architecture, designed from the ground up as a fortress against the internal chaos of bipolar disorder. The track is a heavy, brooding piece of gothic rock,...