Listening to Paul Louis Villani's new EP, The Other Side of Silence, feels less like pressing play and more like cracking open a locked diary found in a derelict building. It’s a messy, confrontational, and deeply private affair, where industrial-strength riffs grind against lyrics that feel surgically exposed. Villani doesn't write anthems for crowds; he seems to be recording the dissonant hum of his...

Sound Liberation’s “Elegy” isn’t so much an album as it is an unbolting of several sonic cages, letting the inhabitants mingle, argue, and eventually, find a strange, compelling harmony. Gene Pritsker and his rotating ensemble are, as ever, on a crusade against the "segregation of sound vibration," and here, their weapon of choice is grief, remembrance, and an absolutely defiant refusal to sit still...