Farbod Biglari’s new single, "Waltz for Baran (The Rain Waltz)," arrived like a polite invitation to a forgotten ballroom, where the chandeliers are lit but the guests are all pleasingly melancholic figments of memory. It doesn't swagger; it glides, a full orchestral sway that clearly tips its hat to the spirit of composers like Stelvio Cipriani, not by mimicry, but by sharing a certain...

Patrick Hynes’ new single, "Baby’s High Again," doesn't so much arrive as materialize, like a half-remembered scent of bourbon and regret clinging to a velvet curtain. This “Midnight Country” he’s cultivating, it’s less dusty plains, more the blue, flickering light of a motel television at 3 AM, illuminating a room where decisions have been made, then unmade, then made again. Hynes, a Scot with...