Mercy Kelly presents "Out in the Night" as a sonic artifact that feels strangely heavy in the hand, possessing the density of a brass paperweight found on a detective’s desk in a noir film. The track arrives with a moody swagger, trading the gloss of modern production for a "raw northern grit" that sticks to your clothes like second-hand smoke. It’s a revitalized sound...

Alli Brown's "Undeniable"… Hmm, where to even begin with this kaleidoscope of sound from Salt Lake City? It's like someone took the earnestness of a diary entry, crumpled it up, threw it at a dartboard of genres – pop, folk, country, rock – and then decided to set the whole thing to music. Did the dartboard land on "genius" or "glorious mess"? I'm still...