Edinburgh songwriter James King delivers a haunting solo debut "Firefly" that transforms trauma into raw, cathartic art It is very pleasant to hear an artist ready to bleed onto the recording in this day and age of over-production and automated music. This is exactly what James King's first solo record, "Firefly," does: it lets fans into the soul of an artist who is not afraid to...

Helena May’s new single, “Side Effects,” doesn’t just enter a room; it strides in with the kind of confident, hip-swinging swagger that makes you instinctively check your own posture. This is Brit-Funk with a capital F, built on a groove that feels less like a rhythm and more like a wry, talkative companion. It’s got that specific, indefinable warmth of an old analogue recording,...