A record can move fast without chasing the obvious route. “EMA”, Sienná’s nine-track experimental electronic album, begins from that possibility. The Kyoto-born, Oslo-based artist builds its premise around ema, the Japanese tool used to communicate directly with the divine. From there, she turns images and impressions gathered in nature into songs. It is a high-concept frame, but it lands because the concept asks a practical question:...

Adam Brice's "Never Is Too Late" landed on my desk – or, rather, materialized in my digital ether – and I've been wrestling with its echoes ever since. It's a curious beast, this album. Part rock anthem, part campfire confessional, with a splash of country twang that somehow doesn't feel out of place, which has themes running circles like wild horses, settling down around...