Sophia Mengrosso’s new album, “Unforgiven”, doesn’t so much start as it does detonate, a thirteen-song treatise on survival. Her voice, a thing clearly trained for gilded halls and velvet curtains, instead wails from within a foundry’s clang and fire. The result is a bizarre and beautiful collision, the sonic equivalent of discovering a lost Caravaggio painting lit by a flickering fluorescent tube in a...

The single from Syracuse’s ORWAX, “Everything's Addictive,” doesn’t so much ask a question as it does state a grim, unblinking diagnosis for the modern soul. From its first notes, the track establishes itself not as a party anthem for self-destruction, but as the sound of the machine humming underneath our choices. The trio—a self-contained unit of Ryan and Jim Moran, with Jason Randall on...