Dan Wilkie’s sixteen-song album, "MelodyBox," arrives not with a neat bow but feeling more like an overstuffed cabinet of curiosities flung open by its Shefford-based creator. Wilkie, working solo as a multi-instrumentalist and producer, wrangles virtual instruments and real vulnerability into something uniquely his own, steeped in the melodic hooks of 60s/70s pop but often taking sharp turns down less-travelled, sometimes shadowed paths. https://open.spotify.com/album/0EX2aW7d7JSQ2xonrFDGvZ?si=XRwACPuoRW2vG_PAITRfyg The album...

There is something deliciously conspiratorial about Hidden Shores and the release of the "Neon Silence" EP. I find myself picturing the artist wiping chalk dust off their hands after a day of teaching elementary schoolers, only to go home, dim the lights, and converse with algorithms. It’s not your typical moonlighting gig; while most are decompressing with reality TV, Hidden Shores is out there...