Sophia Mengrosso’s new album, “Unforgiven”, doesn’t so much start as it does detonate, a thirteen-song treatise on survival. Her voice, a thing clearly trained for gilded halls and velvet curtains, instead wails from within a foundry’s clang and fire. The result is a bizarre and beautiful collision, the sonic equivalent of discovering a lost Caravaggio painting lit by a flickering fluorescent tube in a...

Listening to the new release from Glass Cabin, the album "Emmylou", feels like finding a box of letters you were never meant to read, tucked away in the back of a closet in a rental house. There is an immediate sense of intrusion, but you stay because the story is too compelling to leave. Jess Brown and David Flint have crafted something here that...