Janet Devlin releases "Candy", and she sounds like she’s wearing a smirk that could stop traffic. This track doesn't tiptoe; it struts. From the jump, we are met with a rhythmic, plucking string vibration a gritty, staccato backbone that acts like the nervous system of the song. It’s propelled by a heavy, stomping beat that feels authoritative, the kind of pulse that makes you...

Post Death Soundtrack’s latest offering, “In All My Nightmares I Am Alone,” arrived not so much as a collection of songs, but as a psychic weather event. Listening to Stephen Moore’s solo excursion is like being invited to a wake where the dearly departed is, perhaps, oneself, or maybe just the idea of a stable Tuesday afternoon. It’s a dense, prickly thing, this record....