Sound Liberation’s “Elegy” isn’t so much an album as it is an unbolting of several sonic cages, letting the inhabitants mingle, argue, and eventually, find a strange, compelling harmony. Gene Pritsker and his rotating ensemble are, as ever, on a crusade against the "segregation of sound vibration," and here, their weapon of choice is grief, remembrance, and an absolutely defiant refusal to sit still...

Some doors do not close with a slam. They remain half-open, daring a person to walk back through them after the room behind them has grown small and airless. The past can be persuasive that way. It offers familiar furniture, old names, a version of comfort that asks too much in return. "Backwards, Baby," the latest single from Caitlin Kent-Halliday, begins from that human pressure...