Helena May’s new single, “Side Effects,” doesn’t just enter a room; it strides in with the kind of confident, hip-swinging swagger that makes you instinctively check your own posture. This is Brit-Funk with a capital F, built on a groove that feels less like a rhythm and more like a wry, talkative companion. It’s got that specific, indefinable warmth of an old analogue recording,...

Before you can even properly settle into Tim Camrose’s new single, “Going to Nashville,” your mind gets delightfully snagged on the backstory. For forty years, this man was a surgeon and a professor—a life measured in scalpels and lecture halls, not chord progressions. It’s impossible not to picture those same steady hands, once dedicated to mending human bodies, now tracing the frets of a...