Martin Yates’s new single, “Now or Never”, doesn’t ask for your time; it issues a three-minute summons. This is the sound of someone pushing their chair back from the table, the scrape of the legs on the floor echoing a decision that’s been brewing for years. Channeling the wounded pride of 1960s soul legends, Yates builds a monument to the moment the heart finally...

Sam Ostler’s new single, “Lights,” then. It unfolds less like a sudden, intrusive glare and more like the slow, determined burn of a really good stage light finally finding its mark after a prolonged blackout. It’s pop, yes, vibrant and undeniably contemporary as advertised – clean lines, clear intentions. Yet, there’s a certain satisfying heft beneath the melodic uplift, a feeling that these notes...