Wolfgang Webb's "The Lost Boy" arrived not so much as a collection of tracks, but as a sonic correspondence from a place where streetlights hum with Kraftwerk’s ghost and the shadows dance to a trip-hop beat. This is music conceived in the wee small hours, carrying that particular clarity – or perhaps, exquisite exhaustion – of a world stripped bare by moonlight. His past...

KAYTIE’s new single "Evil Person" arrives with the pristine, deliberate clarity of a single ice cube cracking in a silent room. For a piano-driven ballad, there is a surprising amount of sharp edges here. Kaytie Kear, the 20-year-old singer and songwriter behind the name, doesn’t just perform a song of heartbreak; she presents evidence. This is the autopsy of a connection so personal and...