HollyBear does not sound heartbroken on "OBVIOUS". She sounds like she already checked the receipts, closed the app, fixed her hair, and decided the lesson was expensive but useful. That is the fun of the single. It has the warmth of R&B, the cool posture of jazz influence, and the tiny side-eye of someone who knows exactly what happened. "OBVIOUS" moves with a smile that...

Nothing Concrete’s new album, “The Imperfectionist”, is less a collection of songs and more a vessel that’s been around the world a few times, collecting scuffs and stories. It’s a beautifully unsteady thing, this record from the duo of Fergus McKay and Gaia Miato. They’ve crafted a dusty, globetrotting shuffle where bluesy resignation and the dramatic posture of tango are held together by the...