Helena May’s new single, “Side Effects,” doesn’t just enter a room; it strides in with the kind of confident, hip-swinging swagger that makes you instinctively check your own posture. This is Brit-Funk with a capital F, built on a groove that feels less like a rhythm and more like a wry, talkative companion. It’s got that specific, indefinable warmth of an old analogue recording,...

Clare Easdown’s new single, "Lipstick On My Restraints," doesn't arrive so much as it materializes, spitting glitter and venom in the face of polite society. This is the sound of a patient hijacking the asylum’s PA system, a furious and fiercely glamorous reclamation of a narrative. It’s a track that feels less written and more clawed into existence, forged in the friction between imposed...