The single from Syracuse’s ORWAX, “Everything's Addictive,” doesn’t so much ask a question as it does state a grim, unblinking diagnosis for the modern soul. From its first notes, the track establishes itself not as a party anthem for self-destruction, but as the sound of the machine humming underneath our choices. The trio—a self-contained unit of Ryan and Jim Moran, with Jason Randall on...

Blind Man’s Daughter has constructed something peculiar with the single “Harbor Boulevard,” a song that feels less like a piece of music and more like discovering a perfectly preserved room from a house that no longer exists. Ashley Wolfe’s project here builds a world with the clean, approachable architecture of country-pop, yet there’s a strange dust mote shimmer in the air—those cinematic flourishes—that catches...